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Wednesday, 25 June 2014

Reception Theory

Reception Theory

Stuart Hall




  • Reception theory provides a means of understanding media texts by understanding how these texts are read by audiences.
  • Reception theory states that media texts are encoded by the producer- they are  loaded with values and messages.
  • However, the text is then decoded by spectators. However, different spectators will decode the text in different ways, perhaps not in the way the producer intended.
  • According to Hall, audience members adopt one of the following three positions when they decode the text:
Dominant, or Preferred, Reading - how the producer wants the audience to view the media text;
Oppositional Reading - when the audience rejects the preferred reading, and creates their own meaning for the text;
•Negotiated Reading - a compromise between the dominant and oppositional readings, where the audience accepts parts of the producer's views, but has their own views on parts as well. 
David Buckingham
  •          genres are constantly in flux and can change
  •          whilst "the good,the bad and the ugly" will always be a western,it is now a clint Eastwood film"
  •          this is also dependent on who is deciding on the genre-the studio? the audience? the promoter/distributor? a uk audience or a french audience? young/old?
how do these two theories relate?
  •          By having ideas repeated (neale) or identifiable conventions (chandler) producers can encourage audiences to 'understand' their products as they are intended. 

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