Reception Theory
Stuart Hall
- Reception theory provides a means of understanding media texts by understanding how these texts are read by audiences.
- Reception theory states that media texts are encoded by the producer- they are loaded with values and messages.
- However, the text is then decoded by spectators. However, different spectators will decode the text in different ways, perhaps not in the way the producer intended.
- According to Hall, audience members adopt one of the following three positions when they decode the text:
•Dominant,
or Preferred, Reading -
how the producer wants the audience to view the media text;
•Oppositional
Reading -
when the audience rejects the preferred reading, and creates their own meaning
for the text;
•Negotiated
Reading - a
compromise between the dominant and oppositional readings, where the audience
accepts parts of the producer's views, but has their own views on parts as
well.
- genres are constantly in flux and can change
- whilst "the good,the bad and the ugly" will always be a western,it is now a clint Eastwood film"
- this is also dependent on who is deciding on the genre-the studio? the audience? the promoter/distributor? a uk audience or a french audience? young/old?
how do these two theories relate?
- By having ideas repeated (neale) or identifiable conventions (chandler) producers can encourage audiences to 'understand' their products as they are intended.
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